Given that an overwhelming majority of modern crime writing really isn’t my thing, it’s always lovely to see Ellery Queen’s Mystery Magazine publish some short fiction for me to get excited about, like a new Paul Halter story or, as in the current November/December 2017 issue, something from Japanese master Soji Shimada (I’ll Westernise his name herein, since that’s what I’ve done previously).
This coming Tuesday sees the final instalment in my month-long look at Locked Room International’s multi-national impossible crime short story collection, and I thought I’d take this opportunity to address an oversight Puzzle Doctor, TomCat, and I have all been guilty of: the 12 real-life cases also contained within.
You know the drill by now, and if not, where have you been? Locked Room International put out this 430-page collection of obscureness and rarities in impossible crime fiction from the world over, and I’ve been going through it sort of continent-by-continent (not really, though, it’s much looser than that).
The world tour that is Locked Room International’s newest impossible crime story collection continues, with me picking out stories by their approximate geographical groupings to explore the themes they raise. Previously we’ve had:
And so we return to the multi-national short story impossibility-fest that is The Realm of the Impossible from Locked Room International. Once again, I’m taking a different selection of stories each week by approximate geographical grouping and comparing and contrasting the themes and approaches.
As discussed previously, Tuesdays here on The Invisible Event will now pursue a particular theme each month, and throughout October I shall be looking at the new, multi-national short story collection The Realm of the Impossible (2017) from Locked Room International.
Reader, brace yourself for a shock: I — the man who curated an online celebration of Paul Halter’s 60th birthday last year — loved The Madman’s Room. Given the hue and stripe of originality Halter has brought to the impossible crime genre (The Demon of Dartmoor, The Lord of Misrule, and The Invisible Circle, among others, all contain what surely must be original resolutions to the inexplicable), it’s no surprise to find him resolving the mysteries herein as inventively as he does. What I especially enjoyed was the simplicity brought to the answers, particularly the way he occludes that simplicity so smartly so that you look back on come the end and go “Oh, hell, how did I miss that?”.
This, my 200th post on this blog, will also be the 100th to be tagged with the subject ‘Impossible Crimes‘ and — since my very first was a review of Paul Halter’s The Phantom Passage — I thought I’d hold this milestone to look at the most recent Halter translation from John Pugmire’s Locked Room International, which goes by the English title The Vampire Tree. I will probably do this at some length, though without mentioning specifics past the 25% mark, and with a brief mention of only one slight spoiler, signposted in advance. So, let’s get into it…