#323: Reflections on Detection – ‘Why Do People Read Detective Stories?’ (1944) and ‘Who Cares Who Killed Roger Ackroyd?’ (1945) by Edmund Wilson [feat. Gladys Mitchell]

In October 1944 and January 1945, the American newspaper columnist, writer, and critic Edmund Wilson published two essays entitled, respectively, ‘Why Do People Read Detective Stories?’ and ‘Who Cares Who Killed Roger Ackroyd?’.  The second was in response to the exhortations from readers who, appalled by the first, sent him recommendations to improve his outlook…recommendations which, by all accounts, failed miserably.

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#317: The Burning Court (1937) by John Dickson Carr

7323892In a career that does not exactly lack for belauded titles, The Burning Court might just be the most belauded of John Dickson Carr’s oeuvre.  Opinions diverge sharply on what I would consider all-time classics like The Plague Court Murders (1934) or The Hollow Man (1935), but arguably only this and perhaps She Died a Lady (1943) seem to enjoy universal adoration.  So for the Carr acolyte like myself, approaching every book fully intent on getting the most possible out of it, there’s now the extra twinge of almost needing to love this so as to be taken seriously when discussing the man and his work.  Five years from now, you don’t want “Yeah, but you didn’t enjoy The Burning Court” being thrown in your face like the castigation it is.

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#315: Spoiler Warning – Coming in January: The Problem of the Wire Cage (1939) by John Dickson Carr

PotWC1

You may (but then you you may not) be aware that I’ve started a thing here on The Invisible Event where every three months I pick a work of classic detective fiction and discuss it with another GAD blogger, being entirely unmindful of spoilers so as to really get into the details involved.  Well, another is on the way — which book do you think it could possibly be?

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#295: Fell/Murder – Ranking the First Ten Gideon Fell Novels (1933-39) by John Dickson Carr

Fell Ten

Having recently read The Arabian Nights Murder (1936) by John Dickson Carr, the time seems ripe to rank the first ten of Carr’s novels featuring the gargantuan Dr. Gideon Fell.  Why the first 10?  Well, we’re a decimal-obsessed society, and I’ve not read the eleventh, so this seems a natural jumping-off point.  It’s not technically a top ten, right?  It’s a little more interesting than that…right?

And so, in reverse order, I give you…

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#294: The Arabian Nights Murder (1936) by John Dickson Carr

Arabian NightsIn the orchestra of John Dickson Carr’s detective fiction, his early years from It Walks by Night (1930) up to arguably The Arabian Nights Murder (1936) are very much the accordion section.  Events occur in concentrated bursts, with clues and characters squeezed together to make the notes of the plot emerge, only to then be drawn apart before inexorably squeezing together again for another dense exposit you must pore over in order to follow the necessary developments.  From The Punch and Judy Murders (1936) until the 1940s he wrote in the fine, clean, overlapping lines of the harp, and then the violins took over… but enough of this analogy, back to this book and the wheeze of a bellows working overtime.

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#287: The Equivocation of the Fiend That Lies Like Truth – Colloquialisms, Idioms, and Fair Play

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I’ve spoken a lot about fair play in detective fiction.  I defined it, I defended it (twice, in fact), we voted for the books that best exemplify it, and here we are again.  See, the idea of presentation and declaration (which, yes, I’ve also spoken about before) occurred to me in a new way, and this blog operates on a sort of “Hey, I wonder what people would think about this thing I just thought of?” principle — so here we go…

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#259: ‘The Yellow Book’ (2017) by Paul Halter [trans. John Pugmire 2017] and Categorising No Footprints Murders…

Of late, I have found myself surrounded by invisible men.  Entirely fictional, of course, but there have been a lot of them: shooting someone in an empty room in You’ll Die Laughing (1945) by Bruce Elliott, disappearing into darkness in I’ll Grind Their Bones (1936) by Theodore Roscoe, vanishing from rooms and beaches in Thursday’s forthcoming Wilders Walk Away by Herbert Brean, performing miracle appearances and disappearances as I reread Rim of the Pit (1944) by Hake Talbot…everywhere I look, people are vanishing.

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#255: Abridged Too Far? Comparing Texts of The Unicorn Murders (1935) by Carter Dickson

Unicorn Murders

Among my at-times multiple versions of various John Dickson Carr titles, I  have four Mercury Mystery editions like the one shown on the left above — The Plague Court Murders (1934), The Red Widow Murders (1935), The Unicorn Murders (1935), and The Department of Queer Complaints (1940) — which are of additional interest to me since the novels are all abridgements.  So, having just read the unedited text of The Unicorn Murders, I thought it might be interesting to see what was excised from this abridged version.

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#254: The Unicorn Murders (1935) by Carter Dickson

unicornmurdersWhen a man is found dead, stabbed between the eyes by a unicorn (of indeterminate nationality) — a, yes, fictional animal that can nevertheless apparently turn invisible at will — you don’t expect to find yourself in the GADU.  And when a second victim is then killed in the same way but in full view of witnesses, if one can witness an invisible animal, you better hope you’re in the GADU or else things are about to get silly.  Well, it’s your lucky day, because you are in a classic impossible crime mystery and things are about to get silly — this book is probably the final time John Dickson Carr had all the ingredients for a classic and didn’t actually write it, instead leaving a few edges untouched so that the overriding impression is slightly more “Er…what?” than “Hell, yeah!”.

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