#303: Spoiler Warning 4 – And Be a Villain (1948) by Rex Stout

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I am immensely chuffed to be able to bring to you today the results of the spoiler-heavy discussion between myself and the erudite and phenomenally knowledgeable Noah Stewart of Noah’s Archives on the topic of Rex Stout’s thirteenth Nero Wolfe novel, And Be a Villain (1948).  Hefty spoilers follow, so read on only if you are a) prepared or b) a daredevil badass who takes no truck with your “rules”, man.

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#295: Fell/Murder – Ranking the First Ten Gideon Fell Novels (1933-39) by John Dickson Carr

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Having recently read The Arabian Nights Murder (1936) by John Dickson Carr, the time seems ripe to rank the first ten of Carr’s novels featuring the gargantuan Dr. Gideon Fell.  Why the first 10?  Well, we’re a decimal-obsessed society, and I’ve not read the eleventh, so this seems a natural jumping-off point.  It’s not technically a top ten, right?  It’s a little more interesting than that…right?

And so, in reverse order, I give you…

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#275: A Little Help for My Friends – Finding a Modern Locked Room Mystery for TomCat Attempt #3: The Secrets of Gaslight Lane (2016) by M.R.C. Kasasian

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A late-Victorian private detective living in London who exhibits such traits as brilliant deductive skills (highlighted especially in his observations about strangers), a brusque and pompous manner, the application of reason and logic in all his encounters with crime, and a singular lack of personal relationships with anyone beyond his household, the members of the police he encounters, and his chronicler.  Sound familiar?

And, of course, he has that glass eye, too.  Wait, what?

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#274: Spoiler Warning – Coming in October: And Be a Villain (1948) by Rex Stout

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You’ve just had time to recover from the spoiler-filled look at Rim of the Pit (1944) by Hake Talbot…well here’s fair warning of the subject of the next spoiler-filled discussion that will be going ahead here on The invisible Event this October: And be a Villain (1948), the 13th book by Rex Stout to feature fiction’s most famous orchid fancier, Nero Wolfe.

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#270: The Madman’s Room (1990) by Paul Halter [trans. John Pugmire 2017]

Madman's RoomReader, brace yourself for a shock: I — the man who curated an online celebration of Paul Halter’s 60th birthday last yearloved The Madman’s Room.  Given the hue and stripe of originality Halter has brought to the impossible crime genre (The Demon of Dartmoor, The Lord of Misrule, and The Invisible Circle, among others, all contain what surely must be original resolutions to the inexplicable), it’s no surprise to find him resolving the mysteries herein as inventively as he does.  What I especially enjoyed was the simplicity brought to the answers, particularly the way he occludes that simplicity so smartly so that you look back on come the end and go “Oh, hell, how did I miss that?”.

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#254: The Unicorn Murders (1935) by Carter Dickson

unicornmurdersWhen a man is found dead, stabbed between the eyes by a unicorn (of indeterminate nationality) — a, yes, fictional animal that can nevertheless apparently turn invisible at will — you don’t expect to find yourself in the GADU.  And when a second victim is then killed in the same way but in full view of witnesses, if one can witness an invisible animal, you better hope you’re in the GADU or else things are about to get silly.  Well, it’s your lucky day, because you are in a classic impossible crime mystery and things are about to get silly — this book is probably the final time John Dickson Carr had all the ingredients for a classic and didn’t actually write it, instead leaving a few edges untouched so that the overriding impression is slightly more “Er…what?” than “Hell, yeah!”.

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#249: Is This the Real Life, Is This Just Fantasy? — GAD and ‘Reality’

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A number of different factors — among them Brad’s recent discourse on the dying message, my reading of Tour de Force (1955) by Christianna Brand, and Noah’s previous post on intertextuality in detective fiction — have brought me to the point where I want to ask the question “What is reality in relation to Golden Age Detective (GAD) fiction?”.  Yes, yes, I am a very nerdy man.  You should have guessed this by now.

So, let’s get into it…

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#226: Spoiler Warning 2 – Death on the Nile (1937) by Agatha Christie vs. He Who Whispers (1946) by John Dickson Carr

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In the second of my semi-occasional series where caution is thrown to the wind when it comes to naming names, we are here today to discuss the two finest detective novelists of all time at their popular peak.  Christie aficionado, good friend, and best teacher ever Brad of AhSweetMysteryBlog kindly agreed to go head-to-head over our favourite authors and then exchange some thoughts on aspects of the precise details and workings of the books, and the results of our efforts are below.  Suffice to say, if you click to read more of this, there are guaranteed massive spoilers from this point on; don’t say I didn’t warn you.

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#217: Depth, Discovery, and the Detective Novel, via Death on the Nile (1937) by Agatha Christie

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Worry not, I have no intention here of spoiling anything about Death on the Nile ahead of spoiling everything about it next month, but I’ve just reread it in preparation for that and some thoughts came out of it that I’d like to get down here for posterity.  Also, having tackled Australian and American authors for the 1937 Crimes of the Century, it struck me that I should probably go for the English-speaking trifecta and take on the most English of English Detective Novelists, too, for completeness if nothing else.

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