In what I’m hoping will be the first of a semi-occasional series — look, I’ve made a special header image for it and everything — we are here today to discuss the 1937 impossible crime novel The Ten Teacups, published in the U.S.A. as The Peacock Feather Murders, from John Dickson Carr under his Carter Dickson nom de plume. Puzzle Doctor, wrangler of In Search of the Classic Mystery Novel, kindly agreed to reread this one and then exchange some thoughts on aspects of the precise details and workings of the book, and the results of our efforts are below. Suffice to say, if you click to read more of this, there are guaranteed massive spoilers from this point on; don’t say I didn’t warn you…
Following a recent post on John Dickson Carr’s The Lost Gallows over at The Green Capsule, I was reminded of just how much I love a séance in fiction. Now, to be clear, I’m with Charlie Brooker on psychics and other such manipulative awfulness, but have a real love of sleight of hand and up-close magic (as perhaps evinced in my enthusiasm for fair play detective fiction and impossible crimes therein) and a debunked séance is often a great way to explore the little ways a set of circumstances can be misrepresented, and often some fascinating insights come out of it.
So, here are five great séances from detective fiction, alpabetically by author.
And so, with John Dickson Carr’s 110th birthday coming to an end on this side of the Atlantic, let’s have a look at what those people who got involved had to say of the man and his work…
In his lifetime, John Dickson Carr published 76 novels and short story collections, plus a biography of Arthur Conan Doyle and a ‘true crime’ novel predating Truman Capote’s In Cold Blood, The Murder of Sir Edmund Godfrey. Following the closure of the Rue Morgue Press, who had five Carr novels in their books, and the coming disappearance of Orion’s ebook undertaking The Murder Room, who have around 14 or so Carr novels in their ranks, we’re not too far from a point in time where only two Car novels will be available to buy: Orion’s perpetually in-print version of The Hollow Man and the Mysterious Press publication of The Devil in Velvet. So, to return to the question in the title of this post: John Dickson Carr’s out of print — where’s the fuss?
Well, we’ve already had John Dingbats Carr, now it’s time for another word puzzle to, er, honour the finest detective novelist of all time!
As part of my month of occasional Carr-related shenanigans in the build-up to #Carr110 on 30th November, I’ve created a crossword around the titles of novels published under Carr’s various pseudonyms over his career. Yes, I am that…cool?
“The story of the Widow’s Room…begins in the month of August, and in the city of Paris, and in the year 1792. It begins with the Terror, but it has not ended yet.”